TV Review: Sherlock

The BBC has a recent history of producing very entertaining, high-quality programs. Everything from the new Doctor Who to Top Gear have been smashing successes worldwide. High production qualities, top notch acting, and quality writing have abounded. Even some of their misses have been better than anything on American television today, like Primeval and Apparitions. The new PBS Masterpiece Mystery program Sherlock, a BBC production, easily continues that tradition.

Sherlock is a three part series that is written by Steven Moffat and Mark Gatiss, and directed by Paul McGuigan and Euros Lyn. This is the team responsible for the best Doctor Who episodes, including The Empty Child, The Beast Below, The Time of Angels, The Girl In The Fireplace, and Silence in the Library, as well as Torchwood Children of Earth. They also wrote the Victorian Era episode The Unquiet Dead. Moffat also previously adapted The Strange Case of Dr. Jekyll and Mr. Hyde into the 2007 series Jekyll. So this is an impressive pedigree, and they don’t disappoint.

Modern adaptations of Sherlock Holmes are difficult, almost by definition, because Holmes is so associated in our minds with Victorian times. The way he speaks, his habits, his style of reasoning, his relationship with others are all deeply Victorian, as are the types of crimes and criminals he pursues. Indeed, prior to this series, I suspected that his very essence was uniquely Victorian and probably could not be brought outside of that era. But this new production proves that wrong.

What is truly striking about Sherlock is just how well they capture the essence that is Holmes. They kept his superior intelligence and his incredible ability to deduct stunning (yet obvious once you hear them) conclusions from minute details that you or I would otherwise miss. But even more importantly, they’ve managed to keep the balance between Holmes’ amazing ability to understand everyone around him instantly, against his inability to relate to anyone. Indeed, despite his almost omniscient grasp of human nature, he seems strangely incapable of dealing with others on any personal level. And it’s not clear if Holmes is a pathologically introverted character who offsets his problem with extreme arrogance, or if his “bored genius” makes him a “high-functioning sociopath,” as Holmes describes himself. This is classic Holmes.

Moreover, they have done a stellar job of maintaining the relationship between Holmes and Watson without giving in to modern "sensibilities." Indeed, at a time when it has become popular to suggest that the two are gay (a misunderstanding of Victorian era norms), this show avoids that trap, just as it avoids introducing modern soap-opera-like drama into their relationship. At one point, they actually poke at this theory when Holmes jokingly suggests that people might think they were gay because of the way Watson is behaving.

The production qualities are first rate as well. The sets are well chosen, giving you a flavor of London without doing the usual clichés. In other words, rather than doing things like setting scenes at the gates of Buckingham palace, they use locations like a railway yard with only a hint of the famous Battersea Power Station peeking out from behind an overpass. The inside sets are realistic as well, unlike shows likes CSI where the coroners work in the dark under intense mood lighting. In fact, every single setting is entirely believable and feels like something your would find in real life.

The actors are well chosen too. Holmes and Watson are strong actors with obvious chemistry as friends, but also manage to display the tension that comes from Holmes’ constant condescending to Watson. There is a character introduced near the end, whose name I will not reveal, who also ends up being perfectly played despite my initial shock at his mannerisms. The extras too impress me. Most of them are fat or old or simply "normal," but that helps make them entirely believable. Indeed, this is something great about British television, which is lacking in Hollywood: the ability to produce believable “every day” people on screen.

Finally, the show is fast paced with gripping plots that balance carefully between giving you enough to follow the story and to feel that you can predict where the story is heading, and giving away too much. In fact, you probably won’t have any idea what will happen next, though you never feel cheated. And even better, there isn’t a hint of political correctness. We are not treated to anti-war statements, attacks on religions or the military, attacks on corporations, attacks on conservatives, etc. They don’t wedge minorities into every position of authority, there are no moments where we are told that Islam is wonderful, and Watson even shows disgust at the homeless. There are even two moments that the gay lobby would not have accepted on film in this country. It is refreshing to not feel like you are being lectured.

All in all, I highly recommend this show. They really have managed to take the essence of Sherlock Holmes and bring it to the present. The only complaint I have is that there are only three episodes. Let’s hope for more!

Finally, for a limited time, all three parts are available for viewing on the PBS website: Click Me.