Film Friday: Wall Street (1987)

Wall Street is a great film. It’s well-paced, well-shot, well-acted and quite dramatic. But it has a rather ironic history. It’s ironic because Oliver Stone wanted the film to stand as an attack on Wall Street and the Reagan philosophy, but it seriously backfired and he ended up sending an entire generation of kids to finance school specifically to become the very villain the film rails against.

** spoiler alert **

At one point, Oliver Stone was a talented director/storyteller. Wall Street was made at the height of his abilities and is perhaps his finest film. But it was this ability to craft a highly compelling and engrossing film that tripped Stone up. Stone, no friend of capitalism or Ronald Reagan, intended Wall Street to be an anti-Reagan, anti-Wall Street, anti-capitalism screed. He hoped to discredit everything Reagan had achieved and get people leaving the theaters believing that the Reagan recovery (then underway for several years) was smoke and mirrors, with the rich getting richer by illegal means and the poor being tossed into the streets. But people didn’t see the film that way. To the contrary, they were inspired to become the very thing he hated: Gordon Gekko.

If we take the story as Stone intended, we get the following. Bud Fox (Charlie Sheen) is an eager young man who wants to do better than his father (Martin Sheen), a beloved union man. Fox joins the white collar corporate grind, doing cold calling for a brokerage firm. But greed entices Fox into the world of corporate raider Gordon Gekko (Michael Douglas), an evil man who symbolizes the Reagan years. Gekko wrecks companies so he can squeeze out their savings for himself. Under Gekko’s spell, Bud changes. He becomes cynical. He goes from a normal American to buying modern art he once despised, to taking drugs, to falling for a woman who is, in essence, a high class prostitute or gold digger. Most importantly though, Bud becomes a slave to Gekko, doing his bidding, emulating him, and being used and abused by him. Ultimately, Bud becomes a criminal. Gee, capitalism sucks.

But Stone made a huge mistake by glorifying the experience. He gave it cool settings, beautiful people, access to a secret world, and even a great soundtrack. Consequently, what most people got out of the film was this: Gordon Gekko owns expensive cars, private planes and homes on private beaches. He has the coolest office in the world. He belongs to private clubs, where he gets to push around rich people who thought they were better than him. He makes his own schedule, orders off the menu in restaurants, gets the best tables, meets the coolest people, has sex with the most attractive women, and gets to play monopoly with real companies. And his life can be yours, if you're just willing to break a few harmless rules.

What’s more, Stone compounds his error by adding the character of Sir Lawrence Wildman (Terence Stamp), the white knight corporate raider. Wildman is the good capitalist, a man who genuinely wants to turn companies around and save jobs rather than wrecking them. BUT, we are also told that Wildman was Gekko before Gekko, and that his good guy status is only of recent vintage. Bud Fox reinforces this when he talks repeatedly about making a fortune so he can then do good with it. Thus, through Wildman’s actions and Fox’s words, we are told that it’s ok to be Gekko to get rich so long as we eventually do something noble with the money. . . at some point.

Thus, rather than the anti-capitalist “finance makes you evil” message Stone intended, the message that comes across in Wall Street is that it’s ok to do bad things to become ultra rich, because (1) it’s a great way to live and (2) you can redeem yourself later by doing good things once you can afford it. This was the message picked up by millions of college kids who suddenly wanted to become Gordon Gekko. They dressed like him, quoted him, and talked about becoming him. Indeed, just like LA Law sent kids to law school and ER sent kids to medical school, Wall Street sent them to business school to learn corporate finance. Screenwriter Stanley Weiser has confirmed this, stating that he has been approached many times by people who told him, “This movie changed my life. Once I saw it, I knew that I wanted to get into such and such business. I wanted to be like Gordon Gekko.” Charlie Sheen and Michael Douglas also report that people tell them they became stockbrokers because of Fox and/or Gekko.

How’s that for irony?

But there are more ironies to consider. For example, this was a criticism of Reaganism, but corporate raiding exploded under Clinton. Stone complains that Gekko wrecks companies for no reason except his own profit, but it was the corporate raiders of the 1980s/1990s who are now credited with making American industry profitable again by breaking up large conglomerates that were run by inefficient management -- indeed, the failure to do this in Japan is one of the causes blamed for their decades long economic nightmare. Stone also complains that the economy is a “zero sum game,” a fancy economic term meaning that every winner has an equal loser and that no new wealth is ever created. But the economy grew from four trillion dollars at the time of the film to thirteen trillion today, even though Stone’s criticism would have predicted little to no growth. Similarly, Stone’s predicted pension fund collapse never happened.

Finally, it should be pointed out that much of what Stone sees as criminal in the conduct of Bud Fox and Gordon Gekko is not actually criminal. It is definitely criminal for Fox to break into offices using the cleaning service, and it is probably criminal for him to trade on what his father knows, depending on how his father learned this information. But Fox following Wildman around to figure out what company Wildman wants to buy is not illegal, despite Stone’s obsession with that point. Indeed, this is not insider information, this is nothing more than seeing Warren Buffett checking out the local grocery store and buying their stock because you think he wants to buy the company. Nor is it illegal to call the newspaper and tell them you plan to buy a particular stock, assuming you are truthful. Stone makes this sound criminal as well, but this happens every day when people go on CNBC to announce what they are interested in.

Thus, while Wall Street is a great film and it’s quite fun to watch, it fails pretty miserably at delivering its intended message. . . unless that message was “greed is good.”

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