Film Friday: The Game (1997)

The Game is an intelligent noir-style psychological thriller directed by David Fincher (Seven, Fight Club) and staring a super talented cast led by Michael Douglas, Deborah Unger and Sean Penn. It is a fascinating character study hidden beneath the veneer of a twisty-puzzle movie. I recommend this movie highly, though for reason that I’ll explain, you might not “like” it.

Before I get into this review, let me give the usual warning that there will be spoilers. However, I will tread lightly on the spoilers because figuring out what is really going on is the point of the movie. In fact, one of the characters even tells you: “don’t ask what the object of the game is, figuring that out is the object of the game.” So please be considerate in the comments, and if you haven't seen it, you might want to avoid the comments (just in case).

Plot

The Game tells the story of Nicholas Van Orton (Michael Douglas), a high powered, ultra-rich, cynical, cold-hearted bastard investment banker. As the story begins, Van Orton’s brother Conrad (Sean Penn) arrives to give Van Orton a birthday gift -- an application to participate in a game. Van Orton soon learns that this is a personally-tailored, “experiential” game, though he doesn’t know exactly what that means.

Van Orton decides to give the game a chance, but after an extensive application process, his application is rejected. Yet, no sooner does he receive this news than the game mysteriously begins. Suddenly, a series of strange events begin occurring in his life. At first these are merely annoying and inconvenient, but soon he discovers that this may be more than a game -- it may be some sort of criminal scheme. Beyond that, I cannot give you any details except to say that the twists and turns are pretty stunning and the ending is fairly spectacular.

So Why Does The Game Work?

The Game is an intelligent and ambitious movie. It is presented as a big puzzle involving a series of twists that occur to Van Orton as he participates in the game. And on that level, the movie is quite solid. But the movie is also a fascinating character study of Nicholas Van Orton, and you really need to understand both parts to get the most out of this movie.

The Game As A Puzzle

On the surface, The Game works well as a puzzle movie. The movie challenges the viewer to solve what is really happening to Van Orton as he moves from event to event. Is it just a game? Is it something more? What do they want with him? Who else is involved?

The movie is well shot and well written. The director creates a fascinating world in which the viewer is easily immersed. It is full of fascinating locations -- from wealthy mansions to rarely used streets of San Francisco. The characters are richly drawn, and the movie is packed with talented actors who are not stars, but should be quite familiar to you on sight, e.g. James Rebhorn (Independence Day, My Cousin Vinny), Armin Mueller-Stahl (Thirteenth Floor, West Wing), Tommy Flannigan (Smoking Aces, Gladiator), and dozens more.

The story is efficient and fast paced, and includes many interesting twists and turns. Twists have become all the rage in Hollywood. In fact, you’ll hear most movies advertised now as having a twist. The problem with twist movies, however, is that most twists are simply gimmicks, i.e. they aren’t organic to the story. In other words, there is little to no evidence in the story to support the twist until it happens, and there is no particular reason in the story that the twist must happen. The classic example of this comes from movies where we suddenly learn, right after the bad guy is defeated, that the hero’s boss or best friend is the real bad guy. There is nothing in the story to make this apparent during the movie and often you get the feeling that the director flipped a coin when he hit the point where he had to reveal who the real bad guy really was. . . heads, it’s the friend; tails, it’s the boss. This is just a gimmick designed to give an otherwise dull movie some depth.

But not all twists are cynically gimmicks. Indeed, some movies use twists to expertly add a second layer to the film -- like The Sixth Sense or The Matrix. The twists in these movies entirely change the motivations of the characters. Other excellent uses for twists include movies where the twist(s) is used to present the viewer with pieces to solve the puzzle presented by the movie. The Game is such a movie. Indeed, the twists here flow naturally from the actions of the characters as they move about their purposes. And this is one of those rare twist movies where you probably won’t see the twists coming, even though the evidence for them can be found as you go along.

However, based on the criticisms I’ve seen, there are two things the viewer needs to realize before the actions of the characters will make sense: (1) Nicholas Van Orton is not an average man, and (2) this is not a normal game:

• Van Orton is brilliant. He is highly capable. His mind makes connections easily. So when, for example, he recalls a particular character eating Chinese food, this is not a plot convenience, but is instead the type of investigation that a particularly observant person could and would undertake. He is also incapable of passing up a challenge. He will not admit defeat. Thus, whereas a typical person might have tried to quit the game once it started, as it starts unpleasantly, Van Orton would rather fight than quit, which he would see as surrendering.

And to help the viewer understand this, the director cleverly puts Van Orton through an application process for the game. In that five minute segment, the audience sees Van Orton insulted, tested, and challenged, and they get to see how his responses reveal his character. They see that he is precise, uptight and always in control, and that he will never admit defeat. They also see how the game people use their new-found knowledge of him against him to hook him firmly into the game by telling him that his application was rejected -- thus turning something he was only curious about into an obsession -- and to manipulate him.

• The viewer also must realize that this game is like no game any of us has ever played. Sure they employ dozens of helpers and spent a ton of money making the game work, but they are also charging Van Orton seven figures to play the game. And while some complain that Van Orton’s conduct is often too perfect for what the game controller need, the viewer should keep in mind that there is always someone nearby to guide Van Orton should he go astray -- as multiple characters will admit during the film. What some would call coincidental was in fact the product of well-planned manipulation.

If you understand this, then The Game presents an interesting and entertaining ride.

Why You Might Not Like The Game

However, many still complain that they did not like the feel of the movie. They complain that the movie was very dark and that they did not like Van Orton. Both criticism are indeed true, but also miss the other point to the movie -- the character study.

The film is indeed starkly shot. Everything is dark, and everywhere are the trappings of extreme wealth, from the high class restaurants, to living rooms that look like steak houses, to the expensive cars, but nothing in the movie appears particularly comfortable. But this was a conscious choice by the director to use the scenery to echo the coldness of Van Orton’s personality. Indeed, the happier characters around him do not occupy such stark settings, and even Van Orton’s settings change throughout the movie. If one is simply looking for a chase movie then this will be disconcerting, but this isn’t just a chase movie.

Similarly, complaints that Van Orton is unlikable miss the fact that this movie is intended, in part, as a character study. If Van Orton was not cold-hearted and cynical, there wouldn’t be much for him to overcome. Let’s look at the character study aspect.

The Game As A Character Study

As noted above, The Game tells the story of Nicholas Van Orton, a high powered, cynical, cold-hearted bastard investment banker. Van Orton lives alone in a mansion, divorced his wife, estranged himself from his drug addict, never-do-well brother Conrad, and is making life miserable for anyone who crosses his path. He is not sadistic, he just lacks even a trace of compassion and tolerance. His world is orderly and he is unchallenged.

However, his character is really quite nuanced. Beneath the surface, Van Orton is haunted by the suicide of his father, who killed himself on Van Orton’s birthday as a child. The movie begins on Van Orton’s birthday. He has turned the same age as his father, when his father killed himself. And everyone seems to want to compare him to his father and to mention the suicide. But rather that trouble Van Orton, this only seems to annoy him. Clearly, he wants to believe that he is over the suicide, but is he really? It is possible that his need to stay in control at all times is an outgrowth of this?

Also, if he is such a rotten man, then why are we given clues that others love him and care deeply about him. And if that’s true, then what happened to change him?

As the movie goes on, Van Orton finds his life starting to spin out of control. Annoying things happen to him at first, then dangerous things. Soon the game is interfering with his work and making him question reality. He starts coming apart at the seams. And then things really start to go wrong.

That is the moment that the real Van Orton must shine through. Is he a petty tyrant who makes everyone around him fear him to get what he wants, or is he really a skilled, intelligent, capable man who can overcome challenges that face him? Can he preserver or will he give up? These are all questions that he must answer. As he does, we see his character slowly revealed and begin to change. Slowly, but surely, we see if he can become a better man as he is pushed to the edge.

And Michael Douglas is the perfect actor to pull this off. Not only do we easily believe the cold-hearted bastard that he portrays at the beginning of the film (sort of a humorless Gordon Gekko), but Douglas has the acting ability to make us feel the character’s growth, and to really feel for him as he finally swallows his pride and does things that are surprising.

Conclusion

All told, The Game is not the most pleasant movie, but it is an intelligent, entertaining and surprising movie. It has a great story and great characters. It is interestingly shot and full of depth, and it creates a fascinating world in which one can easily get immersed. I highly recommend it.

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